The DLYM effect is a “Delay Modulator” that can also be used to create Flanger and Chorus effects. The chorus of Imagining’s the virtual instrument “DRC” Polyphonic Synthesizer served as inspiration for the DLYM effect, but the functionality has been expanded to make it available to all users who want to add a little depth to their sounds, or even drastically change them; they assure us that DLYM can do both with its analog-style processing and that it will work on any synth/audio track.

Let us now explore DLYM’s features in further detail.

In the delay effects in DLYM, you have “Time” (to adjust the delay duration), “Feedback” (to adjust the amount of delay feedback), “SYNC” (to synchronize the speed of the modulation waveform with the DAW tempo), “Rate” (to adjust the modulation frequency rate; this is closely related to the Sync button), and “Depth” (to adjust the amount of modulation depth) (allows you to select the waveform of the modulation; you have the options of Sine, Square, Sawtooth, Triangle, Sample & Hold or Filtered Sample & Hold).

“Mode” (which allows you to choose between two modes: “analog emulation” and “dimension style”), “Spread” (which allows you to adjust the amount of stereo amplification applied to the effect; towards the left, it is completely mono, and clockwise, it is fully stereo), “Crossover” (which controls the effect’s cutoff frequency; moving the switch clockwise / right increases the minimum frequency that will be influenced by the plug-in, and fully counterclockwise will use all frequencies. You may preserve transients and low-end / bass phase with this feature, ensuring that your overall mix retains all of its weight and ‘punch’) and “Dry/Wet” (“processed and unprocessed” parallel mix setting). It also contains a random button, which alters all of the DLYM parameters at random.