You’ll get a saturation stage, as well as a resonant High Pass and Low Pass Filter, with the Burier plugin. Without changing any of the parameters, the default plugin will apply saturation and thus enhance harmonics (specifically, the Burier Plugin’s saturation will be affected by odd harmonics). Using the BURY knob, you can increase these harmonics and create an overdrive type saturation light or a strong overdrive with a lot of distortion.

The HP / LP filters have a 12 dB per octave attenuation, are IIR (Infinite Impulse Responses) filters with a TPT (Topology Preserving Transform) construction, and their behavior is based on the SVF circuit, according to the developer. How much information does an active second-order RC filter like the Analog (State Variable Filter) hold? But, to put it another way, when you apply the filter, it will add resonance of about + 3dB on both ends, which means that the frequencies that you might lose by filtering the signal will be compensated by the resonance of the filters. This appears to be useful for shaping the tone for certain audio tracks.

In addition to the “BURY” control (to add saturation) and the “Low-Cut” and “Hi-Cut” controls (to filter the signal), you have a “MIX” control to create a Dry/Wet mix, an “OUTPUT” control, and a “LINK” switch, the latter of which will activate the automatic compensation to control excess gain when using the Bury knob to add saturation.

BURIER, according to the developer, can be utilized in practically any audio signal, including guitars, pianos, drums, synthesizers, vocals, and even bass. The most beneficial feature in this plugin appears to be using it on guitars; nevertheless, We used it on a piano and applied some filter and saturation to obtain a really great Lo-Fi type piano.